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Orchard Hill Church’s 1,200-seat auditorium now benefits from L-Acoustics L-ISA Immersive Hyperreal Sound (photo credit: Ed Massery)
RPC’s Brian Victor says that L-ISA technology helped them “achieve what we wanted to do to the degree that even I didn’t expect.
The L-ISA system, designed by Martin Rode, Head of Application Install D-A-CH, comprises a five-part Scene system. Copyright: Andras Hauch
Six L-Acoustics KS21 subs are flown behind the centre hang and ten 5XT are evenly spaced across the stage lip for frontfill.
Johnny Marr Call the Comet tour, EartH (Evolutionary Arts Hackney), London, 2019. Photo: Maria Zhytnikova
FOH engineer Dave Dixon enjoys new-found creative freedom with the L-ISA processor and DiGiCo SD7
Ben Howard, Brixton Academy, London, 2019, Photo: Luke Dyson
alt-J, Forest Hills Stadium, 2018. Photo: Drew Gurian
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The Los Angeles Philharmonic Orchestra, led by Music & Artistic Director Gustavo Dudamel, Celebrating John Williams, Seoul, South Korea, 2019
A DiGiCo SD7 console was used to mix the show.
Bon Iver, Santa Barbara Bowl 2018. Photo: Matt Benton
Odesza, Santa Barbara Bowl, 2017. Photo: Andy Tenille
Verdi’s Requiem by the Orchestre National de Lille (ONL), France, July 2017